Music that moved me in 2022

The blog reignites this week with a belated look back at the music of 2022. This ritual has occurred most every year since 2005 and must carry on, regardless of what life throws my way.

One of the most interesting developments of the year was courtesy of the Netflix show Stranger Things — I would never have believed Kate Bush would have a big top 5 hit at this late date, and it was great to see a quirky ‘80s tune like “Running Up That Hill” sprinting up the chart.

Looking at music released in or not too far from 2022, heritage acts pretty much defined my year in music as tabulated by last.fm based on both my streaming and local listening. Tears for Fears claims both the album and single crown with The Tipping Point and “No Small Thing,” respectively. Duran Duran’s stunning Future Past was the number two album (it also took the runner-up spot for 2021), and ABBA took number three with Voyage. I was obsessed with the lyrics to “Don’t Shut Me Down” for much of the year (like a dream within a dream that’s been decoded, etc.).

My first reaction to The Tipping Point was to walk away from it, because the pomp and grandeur of TFF does not, at first listen, seem to be there. It is, though, on a more subtle scale. The gentle guitar strums that open the album on “No Small Thing” are a fake-out, as the song gradually builds to an intoxicating crescendo. It is a beautiful album that, in the TFF cannon, bears the most resemblance to the post-split Elemental. This would be a fine swan song, but I hope they have another one or more in them.

The heavy rotation of Future Past placed a stack of songs in the top 50: “Wing,” #15; “Future Past,” #28; “Invisible,” #35; “Nothing Less,” #36; and “All of You,” #46.

I had a pretty good bit of memorial airplay going on in 2022, bringing Vangelis in at #27 with the rousing instrumental “Chariots of Fire” and Olivia Newton-John at #78 with the rousing ‘80s pop of “Physical.” Meat Loaf is in there as well with three six- to eight-minute placings from the Bat Out of Hell II: Back Into Hell album.

What’s so hot about the Hot 100? // This year again finds three points of crossover between my chart and the Hot 100, surprisingly all in the top 10 of the Hot 100.

— As It Was • Harry Styles // #2 Billboard, #72 Me

— Ghost • Justin Bieber // #8 Billboard, #49 Me

— Cold Heart (Pnau remix) • Elton John and Dua Lipa // #10 Billboard, #58 Me. This one actually topped my rolling chart with a long run at #1 in the second half of 2021 and finished at #38 for 2021. I love it that Elton John, after being frozen out of the pop chart for the last couple of decades, made the top 10 of the year on the Hot 100 with this fantastic mashup.

Click here to go down the rabbit hole with past years' recaps.

Music that moved me in 2021

This year was more fun musically than last, I’d say, with interesting things going on like Elton John and ABBA going to the top of the charts again.

One of the pleasant surprises of the year was Duran Duran’s Future Past, a stunningly good album that begs the question of where their muse has been in the last 20-plus years. Released in October, Future Past ends up as my #2 album for the year but may ultimately have more impact in 2022 as the songs work through my playlist. The Durans are often at their best with downbeat numbers, and the song “Future Past” is probably my favorite since the extraordinary singles “Ordinary World” and “Come Undone” resuscitated them way back in the first half of the ‘90s.

Here’s a look at how some of the songs released in or near 2021 placed in my top 100, which includes songs old and new and is based on play counts as monitored by Last.fm:

#1 Be the One • Dua Lipa // It was a very Dua Lipa kind of year, and this single from her previous album emerged as my favorite apart from her Elton John collaboration. She has kind of taken on the Queen of Pop role that Gaga squandered over the last few albums. Lipa is also in the top 100 at #21 with “Hallucinate” and #74 with “We’re Good,” and she finishes as the #7 artist of the year.

#2 Anyone • Justin Bieber // Bieber has really carved a niche with melancholy and evocative grooves like this and “Sorry.” Dance with me under the diamonds / See me like breath in the cold is one of my favorite lyrics of the year.

#15 Got Me • Laura Mvula // The British R&B singer delivered one of the most interesting singles of the year. Its groove continually makes me think of Billy Ocean’s “When the Going Gets Tough,” in a good way.

#32 Unwanted • Rick Astley // Suggests Astley should still be making albums of danceable pop.

#38 Cold Heart (Pnau Remix) • Elton John & Dua Lipa // It’s hard to describe what this is — sort of a dance remix of 1989 ballad hit “Sacrifice,” (which by happenstance topped my rolling chart last year), wrapped in a very clever mashup with “Rocket Man,” “Kiss the Bride” and “Where’s the Shoorah?” It’s brilliant, but I wonder if it could have been even more so with a bridge somewhere in the second half. It had the longest run at #1 on my rolling chart and would have finished higher if it had come along earlier in the year.

#39 Free Woman • Lady Gaga // Sometimes a song works better outside the context of its album, and I have found that to be true for some of the tunes from the rather monochramatic Chromatica.

#48 Magic • Kylie Minogue // Kylie’s Disco album is surprisingly not particularly disco, sounding instead like just another pop album, really. There’s nothing anywhere near the disco-ness of Kylie oldie “Your Disco Needs You.” Nevertheless, the single “Magic” lived up to its name.

#53 Don’t Shut Me Down • ABBA // The new album Voyage is solid if not the mind-blower we were hoping for after all this time, right? The lovely ballad “I Still Have Faith In You” also makes it in at #89.

#57 Golden • Harry Styles // Not a name I would expect in my top 100, and he gets here by evoking a style of music that was never my cup of tea, but it works beautifully.

#68 Your Fandango • Sparks & Todd Rundgren // The incomparable combination of wit and musicianship that is Sparks ushered in the first time ever that I’ve played Rundgren. Love the castanets and the unmitigated glee of the insanity going on here.

#80 Golden G String • Miley Cyrus // My interest in Cyrus’ outstanding Plastic Hearts album carried over into ’21 enough to make it the #1 album of the year and Cyrus the #9 artist of the year, which opened with synth masterpiece “Midnight Sky” sitting at #1 on my first rolling chart of ’21. The raucous “Night Crawling (feat. Billy Idol)” also makes the year-ender at #98.

#81 Once I Saw the River Clean • Morrissey // The Mozzer never quite fades away, and the electronic sheen on recent album I Am not a Dog on a Chain was a welcome complement to his eccentric songs.

What’s so hot about the Hot 100? // We have three points of crossover this time, up from one last year. These minor miracles are:

— Save Your Tears • The Weeknd // #2 Billboard; #26 Me

— Anyone • Justin Bieber // #74 Billboard; #2 Me

— We’re Good • Dua Lipa // #90 Billboard; #74 Me

A close call was Ritt Momney’s “Put Your Records On,” a quirky cover of the Corrine Bailey Rae song that got inside my head but finished a bit outside my 100 while landing at #93 in Billboard, despite getting no higher than #30 on the Hot 100 weeklies.

Go here to view prior years' recaps.

Music that moved me in 2020

Most played (new songs)

For songs released in or near 2020, Pet Shop Boys win the year with “New Boy,” a “b-side” from the “I Don’t Wanna” single. It’s one of those brilliantly maudlin midtempo meditations they reel off effortlessly, like “Only the Wind” and “Always,” which are often buried as extra tracks on singles and are better than most of what’s on the accompanying album.

The runners-up are the Pets’ “Only the Dark” from this year’s Hotspot album and “Do You Feel,” which emerged as the favorite from La Roux’s latest album, Supervision.

Most played (oldies)

Don Henley’s synthy “Sunset Grill” wins by a point over three tied songs — Tori Amos’ “Silent All These Years,” The Lighting Seeds’ “Don’t Let Go” and Paula Abdul’s “The Promise of a New Day (7” Edit).” When I went to an Eagles concert in Tupelo with my parents back around ’99 or so, the highlight for me was “Sunset Grill.”

Most interesting

From the first time I heard it, I thought Miley Cyrus’ “Midnight Sky” was the most interesting song of the year. It feels like she’s channeling the dark electronic sounds of The Weeknd on this one, and the whole Plastic Hearts album is sounding strikingly good.

What’s so hot about the Hot 100?

It’s becoming a trend that one song from Billboard’s Hot 100 of the year makes my year-end chart. This year, somewhat surprisingly, it’s Billboard’s top song of the year, “Blinding Lights,” by The Weeknd, which sits at #59 on my year-ender. It’s probably his best since "Can't Feel My Face," although I ended up playing “In Your Eyes,” with that killer sax riff, more (#27 for the year); it is currently in my top 10, having recently topped my chart, and could have finished even higher if its run had come earlier.

Lukewarm

Some of my core favorite artists significantly underperformed with new releases (this, sadly, has been a recurring theme in the last few years). With Chromatica, it’s time to accept that Lady Gaga isn’t going to reach the heights of The Fame / The Fame Monster / Born This Way and, to a slightly lesser degree, Artpop, again. Chromatica, to my ears, has a disturbing homogeneity, particularly when compared to her first few albums. It does land a couple of songs on the year-end chart — “Alice” (#51) and “911” (#56). Then there’s Erasure, whose last several albums have underwhelmed; their lone entry from The Neon is “Shot a Satellite” (#62). And the Pets’ Hotspot had some gems, as always, but it was not at all what I expected for the conclusion of their trilogy with Stuart Price, who has essentially been a Pet Shop Boy for the past decade.

Posthumously

It’s not unusual for me to have a Roxette song in rotation, and the late 2019 death of Marie Fredriksson had me hunting for some deeper cuts. They finish the year with several entries — “Wish I could Fly” (#32), “Queen of Rain” (#44) and “Perfect Day” (#66). And my favorite Eddie Money tune, “I Wanna Go Back,” is in at #78, while the posthumously released George Michael song “This is How (We Want You to Get High)" scrapes in at #95.

Ava Max

“Sweet but Psycho” was big enough to repeat; it was #53 for 2019 and #90 for 2020. “Kings & Queens” finished at #115 this year.

The chart statistics are courtesy of scrobbling via Last.fm.

Go here for recaps dating back to the 2000s.

Song of the decade

Does a decade's worth of music mean anything anymore? To me, it doesn't feel like it, and hasn't really since the '90s, which probably just means that I'm old. Time flies and a lot of life is happening, so I'm just getting around to taking a look at the past decade. Rather than serving up a big list, I've decided to simply crown my most-played song of the twenty-teens.

The winner is '90s survivor Robyn with "Dancing on My Own," which was released in June 2010 as lead single from the excellent Body Talk album (my #9 album for the decade, including music from all decades, per Last.fm), and which she cowrote and coproduced with Patrik Berger. It's a devastating dance music ballad, all swirling synths and heartbreak, that should have shot an arrow through the heart of the pop music audience. It is the epitome of the melancholy cast against a euphoric upbeat arrangement, which defines so much of my favorite music. How does a song this brilliant (and featured prominently in HBO's Girls) not even crack the Billboard Hot 100? Despite making no impression on the chart, it did, deservedly, go platinum in the U.S.

Music that moved me in 2019

Song of the year
Tanners, a relative unknown, won the year with a song from 2018, the urgent "Holy Water." It's hard to describe her vibe; I've been thinking I could imagine Sophie B. Hawkins doing this in the '90s if she'd had a tad more of a pop sensibility.

The runner-up
Dido put out a fine album in 2019, and the lush ballad "Give You Up" finished one point behind Tanners. It's her best track in years.

A year without breakouts
I said this about 2018, as well — there was no single artist or album that emerged as a big thing for me. Madonna's Madame X was a notable lemon in my world, a non-starter for the most part, although "Medellin" did get some spins and "Looking for Mercy" finished at #60 for the year. I feared this album would disappoint when I heard Mirwais was producing. For me, it's her worst since American Life and a real letdown after Rebel Heart, which had a few duds but, to me, is the best since Ray of Light. My most played album for the year was the new David Bowie compilation Loving the Alien (1983 - 1988).

Mildly unexpected
I've liked a random Bruce Springsteen song here and there through the years, but he stopped me in my tracks in 2019 with "There Goes My Miracle," #18 for the year. It's a beautiful tune and I've never heard him sing in this style — like an old-school crooner. Carly Rae Jepsen is not an artist I've given much attention, but her "Want You in My Room" finishes way up at #5 for the year.

When we was fab
I've never been one to listen to the Beatles, but a couple of the players had a good year with solo material — I've really gotten into some of the songs on Paul McCartney's latest, Egypt Station. He finishes #6 for the year with "Dominoes" and #22 with the beautiful ballad "Happy with You," while John Lennon is in at #69 with oldie "(Just Like) Starting Over." Julian Lennon got some spins as well with "Say You're Wrong."

What's so hot about the Hot 100?
We have but one instance of crossover for 2019 courtesy of Ava Max, whose "Sweet but Psycho" closed out the year with a long run at number one on my last.fm rolling chart. Had I discovered it earlier in the year, it probably would have been a contender for song of the year honors. Sounds a bit like early Gaga, doesn't it? It finishes the year at #53 for me and #23 in Billboard. Speaking of Gaga, the big soundtrack hit "Shallow" was a close call for another point of crossover (#134 me, #19 Billboard). And Post Malone's "Circles," which finished at #62 in Billboard, has recently gone onto my current playlist.

Previously
Go here for the best of 2018 and links to numerous previous years.

Top 7 things about Classic American Top 40 on iHeartRadio

We’re counting down now to my top seven thoughts about Classic American Top 40 from the 70s and 80s (I’m there for the 80s), back in the days when it felt like the charts really meant something, on iHeartRadio. And it doesn’t stop till we get to the top!

#7 Casey Kasem had a voice and charisma that made him perfect for counting down the hits. He was the best ... sorry, Rick Dees.

#6 It's always fun to rediscover good tunes that you forgot you knew. One of those that resides in my current playlist as a result of listening to these shows is Sylvia's hilarious country crossover hit "Nobody" (#15 in 1982). Your nobody called today / She hung up when I asked her name …

#5 The writers for this show had a curious obsession with the geographical identity of the artists. Born in Brooklyn, grew up in Queens, recording out of Nashville, vacationing in the Poconos ...

#4 I’ve always had an inordinate interest in music charts — I think it is somewhat tied to OCD tendencies. It's satisfying to know that both of The Motels’ substantial hits peaked at #9 on the Billboard Hot 100 (or "the Hot Hundred" as Kasem sometimes called it), among endless other chart minutiae.

#3 Listening to the shows from the 80s, one thing that has struck me is how the big power ballad duets of that era, often teaming major stars, are a lost art. Songs like "We've Got Tonight" by Kenny Rogers and Sheena Easton, "Separate Lives" by Phil Collins and Marilyn Martin, and "I Knew You Were Waiting (For Me)" by Aretha Franklin and George Michael. A number of them were movie soundtrack songs — another driver of the charts that has diminished in today’s music scene. 

#2 Another thing that has struck me is that there are some fine tunes from the first half of the decade that never resurface in 80s playlists or flashback radio shows. One such nugget that I recently playlisted is John Lennon’s excellent "Just Like Starting Over" from 1980, and there are countless others.

#1 If you listen with any regularity, you'll almost immediately begin to hear repeats, because a relatively small number of countdowns (considering how many there were) are in rotation. If you listen frequently, you'll be able to recite the long distance dedication letters along with Casey and sometimes know what song is coming next. I know there's one show in which Belinda Carlisle debuts at #30 with "Circle in the Sand," one in which Level 42 holds at #7 with "Something About You" and one in which Diana Ross moves 40-29 with a ridiculous song written by Michael Jackson called "Muscles" about unbridled desires for beefcake men (!) . It'd be great to hear some "new" old countdowns added to the rotation. I'd actually love to hear shows from the Shadoe Stevens era as well (Kasem departed in August 1988, so the tail end of the decade is underrepresented). Stevens presided until the 1995 cancellation, and there was still some fun left in the top 40 format into the first half of the 90s, although I pinpoint the beginning of the end to be somewhere around "Rump Shaker" (#2 in 1992).

Till next time, keep your feet on the ground, and keep reaching for the stars!

Music that moved me in 2018

Top Song
Foster the People claims the most-played song trophy with the sublime "Sit Next to Me," which has a really appealing, dreamy quality. This rekindled my interest in earlier single "Doing It for the Money," which lands at #21 in my year-end recap of most-played songs, new and old, as tallied by Last FM. The runners-up for songs released in or near 2018: "My My My!" by Troye Sivan and "Your Song," Lady Gaga's outstanding Elton John cover.

A year without scorchers
It was a cycle lacking in artist and album breakouts. My core artists didn't have new albums, and things that could have blown up, like Thompson Twin Tom Bailey's solo debut Science Fiction, failed to fully ignite. My most played "current" artist was Troye Sivan ("My My My!" #3, "Strawberries & Cigarettes," #51 and "Better Now," #83 for the year and currently in my top 10).

Double A-side
I loved that Paul McCartney called the lead single from his 2018 album a double A-side, as if that kind of thing still exists. Both excellent tunes, "Come on to Me" and "I Don't Know" (love that piano intro on the latter), finish in my top 50, along with one of his oldies, "Say Say Say." It's a tad surprising to find him thrice in my top 50.

What's so hot about the Hot 100?
Last year, my non-mainstream tastes yielded only two instances of crossover between my music of the year and that of popular consumption. Not to be outdone, 2018 has literally no crossover at all. It's not surprising, considering the Billboard Hot 100 of the year is a chart heavily infested with songs by Drake and Imagine Dragons. A close call, though, is Bruno Mars' "Finesse," finishing at #14 in Billboard and a bit outside my top 100 in the non-Cardi B version. Mars has become a bit boring, but I loved the overt musical references to Bell Biv DeVoe's "Poison" in that jam. Also worth mentioning is Troye Sivan's cover of Post Malone's "Better Now," which is currently charting in my top 10, while Malone's original finished at #13 for the year in Billboard.

// Go here for recaps from 2017 and prior years.

Music that moved me in 2017

Top song …

My most-played song released in or not terribly far from 2017 is "Mistakes" by Avec Sans, which finishes at #2 overall in my top 100 of the year as monitored by last.fm. This kind of ethereal, melancholy electronic bliss leaves me drooling. It's the closer on their really good debut album, Heartbreak Hi.

Other notables …

• "Up the Creek," Tori Amos' best single in years, at #29
• "Losing Touch," a new synth masterpiece by Empathy Test, at #20
• Sia had a big year on my chart, finishing at #3 with "The Greatest," #4 with "Never Give Up" and #11 with "Move Your Body."

Oldies …

My most-played song overall was Billy Joel's somber and reflective ballad "I've Loved These Days" from Turnstiles. The most-played album overall, by a substantial margin, was the very good super deluxe release of Fleetwood Mac's 1987 classic Tango in the Night.

Posthumously …

• George Michael finishes at #6 with "Something to Save," #7 with "White Light," #29 with "Heal the Pain" and #66 with "Shoot the Dog."
• Prince lands at #73 with "Strange Relationship," #87 with "The Morning Papers" and #95 with "P Control."
• Leonard Cohen is at #67 with "Hallelujah."

Most-played new album …

With 2017 releases from Erasure and Goldfrapp sadly underperforming, the door opened for Depeche Mode to sneak in with the politically charged Spirit. It's the only DM album I've wanted to listen to all the way through since Violator.

What's so hot about the Hot 100 …

There is, per usual, minimal crossover between my year-end chart and that of popular consumption. Here are the two miracle compositions:

• "I Feel It Coming" by The Weeknd Featuring Daft Punk, #34 Billboard, #56 me
• "Chained to the Rhythm" by Katy Perry Featuring Skip Marley, #73 Billboard, #20 me. I'm skeptical of everything to do with Katy Perry, and I think she's one of the most commercially and critically overrated forces in popular music, but there is no denying that this is a successful stab at mature and sophisticated electronic pop music. The same is true of "Roulette," which sounds like it could have been released in 1996, and lands at #60 on my year-end chart.

Click here for 2016 and prior years.

What's so hot about the Hot 100? (chart week of May 6, 2017)

In 1987, I obsessively listened to the radio and probably could easily have identified about 80 songs on Billboard's Hot 100 chart. But it's not 1987 anymore …

Here's the first of an occasional stroll through the nation's definitive music chart to see if there is any crossover with my current last.fm rolling chart and to see what snark might emerge:

#1 Humble. by Kendrick Lamar // Another chart-topper that I've never heard …

#2 Shape of You by Ed Sheeran // There's something about the combination of Ed Sheeran's voice and enunciation that grates. Plus, this seems almost intentionally derivative of Justin Bieber's much superior "Sorry."

#11 Body Like a Back Road by Sam Hunt // I haven't heard it and can only imagine how atrocious this song must be, but there's no denying the cleverness of the title.

#22 Sign of the Times by Harry Styles // An 18-point drop in week two? Ouch. It's a pretty good and mature effort that is poised to reach my chart, though. I just hope he knew there is already a classic "Sign of the Times."

#31 Love on the Brain by Rihanna // A close call, as this one sits just outside my own top 100. I gave it a few spins because it sounded interesting, but then it suddenly didn't seem as interesting, and I'd like people to quit using "bae." It's even more obnoxious than "shawty." Getting back to Rihanna, it's impressive that she can still get this many singles deep into an album campaign.

#39 The Cure by Lady Gaga // Crossover! This surprise single sits at #75 on my own chart, and I haven't yet decided if I really like it. What I do know with certainty is I didn't like the direction of Joanne, although I don't begrudge her the urge to do something different.

#69 Any Ol' Barstool by Jason Aldean // I once did a phone interview with this guy to promote a small-town concert in a time before he had such a long list of hits. I'm sure he doesn't remember it, and I barely do.

So, Gaga's new single is the only instance of crossover between my chart (which includes many non-current tunes) and the Hot 100. Currently #1 on my chart is "Move Your Body" by Sia, her sixth chart-topper if we include the David Guetta collaboration "Titanium." And I say we shall.