• It's the Blair Witch of the 2000s, and almost as good.
Stars: Katie Featherston, Micah Sloat
Director: Oren Peli
Rating (out of 5): &&&1/2
Run time: 1 hr 39 mins
Paranormal Activity, the shoestring-budget movie riding a crest of Blair Witch-sized buzz, is getting a bit overrated, but it's still a movie that every horror fan should make a beeline to see. In a time when empty horror films come and go at the multiplex just about every weekend, this movie proves there is an appetite among audiences for something more than f/x and torture porn, and it's nice to see a fright flick with a brain get some attention. It's been reported that DreamWorks bought the movie with every intention of doing a big-budget version but decided that the lo-fi version was too effective to discard. The movie's rudimentary production style is certainly reminiscent of that of The Blair Witch Project, which, in my opinion, remains the superior of these two movies.
By now, you probably know the basics of the plot — a young couple early in their relationship are having unusual experiences in their home, and the male half (Micah Sloat) decides to set up a camera and audio recorder in the bedroom in an attempt to capture whatever may be happening while they sleep. Early on, we learn that the happenings are attached to the female half (Katie Featherston) and that the noises they both hear and the whispers she hears are the work of a sinister presence. Micah's interest in playing with the electronics is deeper than his conviction that something is really going on until he begins to catch things on tape and the occurrences begin to escalate. Wanting to defend his woman, he also becomes provocative toward the force as the movie goes on, breaking one of the cardinal rules of dealing with the paranormal. It is here that the movie uses one of the staples of the haunted house tale — tension between a couple breeding negative energy that serves to escalate the activity. For all this movie does to cleanse the palate of so many bad horror movies in the 10 years or so since The Sixth Sense and The Ring, it still turns to some familiar devices such as a Ouija board, things that go bump in the night and a snowy television screen. I even found its occasional use of a jolting noise reminiscent of the classic The Haunting, the quintessential horror movie in which the unseen is powerfully frightening — a technique that has been sadly forgotten by too many movie makers.
The best horror movies are those that play on dread and anticipation in unique ways, and Paranormal Activity achieves this in presenting everything from the point of view of Micah's video footage, focusing primarily on a wide view of their bedroom and the hallway. In the beginning, the viewer gets nothing more than a little tease in the overnight footage, which is often time lapsed, but the payoffs gradually increase. By the time the camera captures shadows and footprints creeping into the room, viewers are squirming at the edge of their seats, and the final payoff is truly creepy — almost enough to forgive the grating bullheadedness of Micah's character.
Saturday, October 24, 2009
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Monday, October 12, 2009
… but I know that he has big hair and I really, really dig his synthy song "Don't Bring Flowers," which sounds very 1986 but also very now, which works for me in a way that Nickelback and Taylor Swift would never understand. Even better, I nicked the song as a free download off Popjustice. While it has the retro thing going, the song also has smart lyrics. The refrain of "Don't bring flowers after I'm dead / Save your givings for the living instead" has burrowed with sinister fashion into my brain. In the press materials, Hassle (only 20 years old!) says the song deals with a person who didn't make much of an impression in life, yet everyone is at his funeral. “And that’s like regular life," he says, "where you’re treated like sh*t then people worry about it afterwards. You can’t just stand by not caring: who are you to mourn, don’t touch me when I’m in my coffin.”
The Swede's album is called "Hassle."
The Swede's album is called "Hassle."
I've just done the update to the latest version of the Mac OS, 10.6, or Snow Leopard. This svelte update promises to not only be sexier (as always) but to take up less space on your hard drive. The literature says to expect the installation to free up 7 or 8 gigabytes of space. Interestingly, my available space before Snow Leopard was 179 gigs; after the install, it's 202. That's a gain of a whopping 23 gigabytes! At first, I nervously checked to make sure all my files were intact, but nothing is amiss. Anyone else seeing gains like this, or have an idea why this might be?